rewild

earth mineral plant acrylic on organic cotton & linen collaged on wood panel

20 x 24 (set in 21 x 25 solid maple wood floater frame - clear matte coat)

Inversnaid

This darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.

A windpuff-bonnet of fáwn-fróth
Turns and twindles over the broth
Of a pool so pitchblack, féll-frówning,
It rounds and rounds Despair to drowning.

Degged with dew, dappled with dew
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.

What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.

〰️ Gerard Manley Hopkins

Inspiration arrives in many forms — an inner or outer landscape, a poem that shifts my perspective, words and symbols deeply felt. Wherever the muse appears, working with natural dyes, earth minerals and textiles is a joy-making process.

Sewing is my first love, but collage opened a floodgate. It offers a freedom to experiment with shape and scale that sewing doesn’t readily allow. I love both: the clean closed seam and the raw cut edge — each a metaphor for life. Moving between them keeps my creative center alive.

The collages begin with natural dyed textiles. The hand dyed fabrics are then painted with pigments and oxides I hand-blend into plant-based acrylic, creating bespoke colors. I build up multiple layers to create desired opacity and depth of color on flax linen, organic cotton and/or hemp, then hand-cut the dried forms and collage them onto wooden panels using natural adhesives. A coat of plant-based varnish finishes the work — framed and ready to hang.

note: please hang away from direct exposure to harsh light (natural/artificial) as well as direct heat source and areas of high moisture