language of trees

earth mineral plant acrylic painted organic cotton & linen collaged on wood panel

14.5 x 14.5 (flush mount framed in maple wood)

Lying there among the trees, despite a learned wariness towards anthropomorphism, I find it hard not to imagine these arboreal relations in terms of tenderness, generosity and even love: the respectful distance of their shy crowns, the kissing branches that have pleached with one another, the unseen connections forged by root and hyphae between seemingly distant trees. I remember something Louis de Bernières has written about a relationship that endured into old age: “we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two.” As someone lucky to live in a long love, I recognize that gradual growing-towards and subterranean intertwining; the things that do not need to be said between us, the unspoken communication which can sometimes tilt troublingly towards silence, and the sharing of both happiness and pain. I think of good love as something that roots, not rots, over time, and of the hyphae that are weaving through the ground below me, reaching out through the soil in search of mergings. Theirs, too, seems to me then a version of love’s work.

passage from Underland: A Deep Time Journey by Robert Macfarlane

Inspiration arrives in many forms — an inner or outer landscape, a poem that shifts my perspective, words and symbols deeply felt. Wherever the muse appears, working with natural dyes, earth minerals and textiles is a joy-making process.

Sewing is my first love, but collage opened a floodgate. It offers a freedom to experiment with shape and scale that sewing doesn’t readily allow. I love both: the clean closed seam and the raw cut edge — each a metaphor for life. Moving between them keeps my creative center alive.

The collages begin with natural dyed textiles. The hand dyed fabrics are then painted with pigments and oxides I hand-blend into plant-based acrylic, creating bespoke colors. I build up multiple layers to create desired opacity and depth of color on flax linen, organic cotton and/or hemp, then hand-cut the dried forms and collage them onto wooden panels using natural adhesives. A coat of plant-based varnish finishes the work — framed and ready to hang.

note: please hang away from direct exposure to harsh light (natural/artificial) as well as direct heat source and areas of high moisture